By Marc Shell
The writer first introduces the philosophical, neurological, anthropological, and aesthetic features of the topic in historic standpoint, then specializes in rhetoric and introduces a stress among the small and massive problems with rhythm. He thereupon turns his recognition to the jobs of inhaling poetry—as a life-and-death subject, with consciousness to beats and jogging poems. This opens onto technical innovations from the classical traditions of rhetoric and philology.
Turning to the connection among prosody and movement, he considers either animals and humans as either ostensibly able-bodied creatures and presumptively disabled ones. ultimately, he seems to be at dancing and writing as elements of jogging and speaking, with specific consciousness to movement in Arabic and chinese language calligraphy.
The ultimate chapters of the publication offer a sequence of interrelated consultant case studies.
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Talking the Walk & Walking the Talk: A Rhetoric of Rhythm (Verbal Arts: Studies in Poetics) by Marc Shell
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