By Jay Watson
Jay Watson argues that southern literary stories has been overidealized and ruled by means of highbrow historical past for too lengthy. In Reading for the Body, he demands the sector to be rematerialized and level-headed in an wisdom of the human physique because the web site the place principles, together with principles concerning the U.S. South itself, finally happen.
Employing theoretical ways to the physique constructed via thinkers comparable to Karl Marx, Colette Guillaumin, Elaine Scarry, and Friedrich Kittler, Watson additionally attracts on histories of physically illustration to mine a century of southern fiction for its insights into difficulties that experience preoccupied the area and kingdom alike: slavery, Jim Crow, and white supremacy; the marginalization of ladies; the influence of modernization; the difficulty of cultural authority and management; and the legacy of the Vietnam struggle. He makes a speciality of the categorical physically attributes of hand, voice, and blood and the deeply embodied reviews of ache, ailment, being pregnant, and battle to provide new readings of a special staff of literary artists who grew to become their cognizance to the South: Mark Twain, Jean Toomer, Zora Neale Hurston, William Faulkner, Richard Wright, Katherine Anne Porter, Bobbie Ann Mason, and Walker Percy.
In generating an intensely embodied U.S. literature those writers, Watson argues, have been through turns extending and interrogating a centuries-old culture in U.S. print tradition, during which the recalcitrant materiality of the physique serves as a trope for the neighborhood alterity of the South. Reading for the Body makes a strong case for the physique as a big methodological source for a brand new southern studies.
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Reading for the Body: The Recalcitrant Materiality of Southern Fiction, 1893–1985 (The New Southern Studies Ser.) by Jay Watson
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