By Anne-Marie Lee-Loy
What do twentieth-century fictional photos of the chinese language exhibit in regards to the building of nationhood within the former West Indian colonies? In her groundbreaking interdisciplinary paintings, Searching for Mr. Chin, Anne-Marie Lee-Loy seeks to map and comprehend a cultural strategy of identification formation: “Chineseness” within the West Indies.
Reading at the back of the stereotypical photograph of the chinese language within the West Indies, she compares fictional representations of chinese language characters in Jamaica, Trinidad, and Guyana to bare the social and racial hierarchies found in literature through renowned authors corresponding to V.S. Naipaul and Samuel Selvon, in addition to lesser recognized writers and difficult to entry literary texts.
Using ancient, discursive, and theoretical frameworks for her literary research, Lee-Loy indicates how the risky and ambiguous “belonging” afforded to this “middleman minority” speaks to the ways that narrative limitations of the country are demonstrated. as well as how chinese language were seen as “others,” Lee-Loy examines self-representations of “Chineseness” and the way they complicate nationwide narratives of belonging.
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Searching for Mr. Chin: Constructions of Nation and the Chinese in West Indian Literature by Anne-Marie Lee-Loy
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